José Esteban Muñoz
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Read More: the audience as villageAt the end of her delightful “crazy avant-garde flashback,” Give Me Carmelita Tropicana, at the Soho Rep, Alina Troyana/Carmelita Tropicana breaks the fourth wall and walks right up to the…
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Read More: #13: conservatism trends toward performance artJeremy Peters writes today in the NYTimes: “Many on the right are pointing to the Yiannopoulos controversies as a symptom of a trend toward conservatism as performance art.” Read More…