dziga vertov
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Read More: Blogs and/as Time: On “The Clock,” TwiceI watched 40 minutes, from precisely 3:50-4:30, of Christian Marclay’s The Clock yesterday at MoMA, a heartfelt homage to a sunsetting but never fully settled technology—cinema. On this viewing, only…
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Read More: Christian Marclay’s “The Clock”: Time CompressorDarling of the art world, Christian Marclay’s The Clock, like so many pieces of conceptual art, was for me as giving in the reading and anticipatory thinking about it as…
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Read More: I am having digi-fun writing “The Me & the WE”What’s great about the job (when you’re lucky), is that you have to write something (an adaptation of my MP:me Manifesto and the “talk” I gave about it a few…
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Read More: I Invite you to Flee, in search of our own material[youtube=http://www.youtube.com/watch?v=MmFgVhsoiqs] I have been thinking about the badness of this set of videos. About how when I make conventional vlogs, I never worry about form, and that’s liberating: YouTube as…
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Read More: I Call for the Death of Cinematography[youtube=http://www.youtube.com/watch?v=_Eno4Rk7Xqc]
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Read More: MPme: Variant of a Manifesta
(After “WE: Variant of a Manifesto,” Dziga Vertov, 1922) I call myself MP:me (Media Praxis : Alexandra Juhasz)—as opposed to “cinematographer,” one of a herd of machomen doing rather well…