cheryl dunye
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Read More: Films for the Feminist Classroom: “The Owls”FFFC, a new on-line journal that is a side-project of SIGNS, has just published my article, “A Lesbian Collective Aesthetic: Making and Teaching The Owls.” By including the written and…
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Read More: Lady Professor Sings the Blues
My last post skirted the issue, saying I was “too busy” to perform my professorial labors properly: the hard work of “unpacking” lady Gaga. Ha. I’d actually taught the video…
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Read More: A Productive Fake has a Stake: Unnaming in THE OWLSOver the past few days I’ve been teaching my recent writing about fake docs on YouTube to my Media Studies seniors, while thinking a lot about THE OWLS (and reading…
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Read More: Bad On Purpose: On the Corporate Faking of Hand-Made FilmsI’m provoked. Just saw Paper Heart and this charming pseudo-naive cynical/happy fake-rumination on love by comedienne Charlyne Li pushes this blog’s fixations on fake documentary’s current yummy banality to new…
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Read More: Watermelon Woman: Release Our Print!
Although the film I produced, The Watermelon Woman (Cheryl Dunye, 1995) was a festival and art house hit, we never saw any money, and our master rots at DuArt. We…