video art
-
Read More: YouTube in the GalleryCiara Ennis, the curator of Pitzer College Art Galleries, interviewed Pato Hebert and I about our upcoming YouTube art show, PerpiTube. One of her questions was about the differences between…
-
Read More: PerpiTube: Repurposing Social Media Spaces
I am very pleased to announce the art show that I co-curated with Pato Hebert, PerpiTube: Repurposing Social Media Spaces. It will be held July 12 – September 6, 2011…
-
Read More: Distraction Span: Disjointed Rapidfire Thought Requested
My friend Brian Goldfarb and I just released Distraction Span: Technologies of Productive Disruption at MediaCommons. “With this cluster of The New Everyday we initiate a conversation about social media…
-
Read More: Duration-Free Waiting or 127 hours in 90 minutes
Duration is a hallmark of experimental media practices. While always boring, to some extent, great duration works depend upon a profound mirroring of technique and ontology to allow us to…
-
Read More: Guggenheim Got the Highs & Missed Wonderfully Defintive YouTube LowsThe Guggenheim Museum just released its list of the twenty-five best videos on YouTube, selected from 23,000 entries, and now the celebrated objects off-line and on, of YouTube Play, a…
-
Read More: Mogul is De- and Re-Mobilized
I’ve worked with, written about, and been a fan of the work of Susan Mogul for quite awhile. A early practitioner of feminist video via her radical education at the…
-
Read More: Documenting the Documenters: More from the AIDS Activist ArchiveI had the opportunity to view screeners of two new AIDS documentaries: Sex in an Epidemic (Jean Carlomusto) and ACT UP New York Highlights: I (Jim Hubbard, Sarah Schulman, and…
-
Read More: The Views of the Feminist Archive
Please go to “Flow’s” Special Issue on The Archive to see a slightly modified selection (“The Views of the Feminist Archive”) from my longer essay “A Process Archive: The Grand…
-
Read More: Last Address: Buildings are BricksIra Sachs generously traded his new short film, Last Address, with me for my Video Remains. Both are elegies for lost friends, artists, and activists of the 1980s. I had…
-
Read More: Berlinale: Films Beget FilmsJust returned from 2010 Berlinale where The Owls premiered, rocked German lesbian’s L-Word soaked version of dyke-America, and sold a bunch of territories, too (thanks to The Collaborative! Note to…