AIDS
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Read More: Home Video Returns: Media Ecologies of the Past of HIV/AIDS in Cineaste
Please see my conversation with Ted Kerr, Programs Manager at Visual AIDS, recently published at Cineaste. Initially asked to discuss Dallas Buyer’s Club we felt we needed to take a…
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Read More: Signification Survival: Jump Cut 55The new issue of Jump Cut (55, Fall 2013) is hot off the presses, and as always, it is bursting with great scholarly work on any number of issues near…
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Read More: The Present and the Gif(t)In his blog here, “Generations,” for SCMS, Chuck Kleinhans said that at his first SCS meeting in the mid-70s “the meeting had two concurrent sessions: the Film Historians on one…
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Read More: Centers and Margins at SCMSI’ve been asked to blog during the SCMS conference on their website. I think it may be closed to non-members, so here’s what I wrote there. The memorial event last…
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Read More: When ACT UP is remembered … On Visual AIDS
Visual AIDS: What will be the benefits of Queer Archive Activism? (Specifically I am hoping you can comment on the benefits for those who made video and film art in…
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Read More: No More Business as Usual
Please come and participate if you will be at SCMS in March. We’d also greatly appreciate it if you pass on the word to those who might be interested. Since…
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Read More: “I made my mourning productive, collective, and interactive …” on Visual AIDS“How can we understand this moment of ‘AIDS Crisis Revisitation’, exemplified by the success of films like United in Anger and How to Survive a Plague. Video artist, activist, and…
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Read More: Palm Springs Art Museum Programs Coincide with World AIDS Day
Please do pass the word, as reported on Palms Springs Life: “Although the day is titled, A Day With(out) Art, the opposite will be true Saturday (Dec. 1) at the…
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Read More: Still Around: HIV@30/ACTUP@25/NQC@20So many anniversaries, and so much fascination with the 90s! Looks like Watermelon Woman (Dunye, 1995) is going to be part of the posse of re-views too (slated for Framline…
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Read More: Swoon at 20I had the pleasure of attending the first in a series of screenings at the UCLA film archive that will be revisiting the original films of “the new queer cinema”…