AIDS
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Read More: Online Premier “Please Hold,” featuring writers from “AIDS and the Distribution of Crises”Please join editors and writers from the collection, AIDS and the Distribution of Crises (Duke 2020), as we screen together and then discuss my new experimental documentary, Please Hold (70…
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Read More: March premiers of “Please Hold,” my experimental AIDS videoI am so pleased to announce the premiere of my latest experimental documentary, Please Hold (70 mins, 2025), my first personal video in nearly fifteen years: online and in person.…
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Read More: together through the process: a final summary as lights go outIt’s a rehearsing, when I speak to you. Because I trust you. And this is part of a set of conversations that have happened over time. We’re practicing as it…
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Read More: social justice. social mediaAlex: Hi Kyle. Kyle: Hi Alex. Alex: Sorry. I kind of hijacked you. I was having a planning meeting with you about our partnership on the imminent release of my…
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Read More: we are the audience for what is coming: lights out @Meta©Alex: Laura. Hi. Thank you for inviting me to join you in an audience at the Guggenheim to see Works & Process: Underground Uptown Dance Festival. Laura: Oh, I’m so…
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Read More: integrated access: the audience in alienation and solidarityAlex: Good morning, Dan. I’m recording. We are going to talk for an hour or so, and then a portion of that will be put on my blog, as part…
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Read More: an audience of gay menI entered Julius (N.Y.’s “oldest gay bar”) still buzzing from Cult of Love, the Broadway play that I had just seen with Gavin: a cutting and intense Connecticut WASP Christmas…
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Read More: inter-generational hijack: the village (2)After the show, the audience dissembled. They picked up their bags and exited stage right. Ted and I ambled to the subway. We were in the lower reaches of Soho,…
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Read More: the audience as villageAt the end of her delightful “crazy avant-garde flashback,” Give Me Carmelita Tropicana, at the Soho Rep, Alina Troyana/Carmelita Tropicana breaks the fourth wall and walks right up to the…
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Read More: audience in context: praise, sorrow, hisses & shoutsIt goes without saying that a work of art shifts depending on where and how you engage it. The same is true for the audience. At Edges of Ailey at…